This essay takes up a paradoxical problem articulated by Buddhist philosopher. Nishitani Keiji: the eye does not see the eye itself. It argues that film has a therapeutic function by virtue of its ability to draw our attention to this precise aspect of our existential situation; namely. that we alternate between being in our experience and perceiving ourselves in our experience. https://oxfordshopes.shop/product-category/trousers-split-suit-emerson/